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It seems increasingly evident that Marvel's Phase 3 is going to be a lot bigger before The Avengers re-assemble for what we expect to be their first bout again Thanos in 2019. Moments ago they added another two to 2017, and three more dates for 2018-19. That's not going to be the case.ĭisney and Marvel were quick to put their foot down in a pair of 2016 dates last summer, and another for 2017.
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Up until this point the assumption for Phase 3 of the Marvel Cinematic Universe is that after Ant-Man kicks things off next summer, two months after The Avengers: Age of Ultron, there would be two films in 2016, two in 2017, all leading to The Avengers 3 in May 2018 to round off the next chapter of the franchise. From an all-new female Thor, the first black Captain America, a new team of Avengers - which may hint at future movie roster changes - and now, five new release dates for Marvel Studios productions.
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The millennian do not ever want to be taught anything unless you’re told it on a cellphone.” Umm, okay? Scott’s bizarre rant aside, critics applauded the movie’s stars Matt Damon, Adam Driver and Jodie Comer, calling The Last Duel “ a fascinating text full of spectacle and ideas worth chewing on” and praising Scott for still being “ at the top of his game.Every day this week Marvel Entertainment has successfully planned and executed a major PR move, planting the brand in mainstream media headlines as they lead into Comic-Con where they'll host multiple panels for their upcoming comics, video games and film initiatives.
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RELATED: ‘The Last Duel’: Ridley Scott Expresses Disappointment Regarding Low Box Office NumbersĪppearing on Marc Maron’s WTF podcast, the 84-year-old director lashed out at apathetic millennials, angrily claiming that “what we’ve got today the audiences who were brought up on these f-ing cellphones. With a production budget of more than $100 million, the film only grossed $10 million in the US and about $30 million worldwide, making it one of the biggest bombs of the pandemic era. Garnering an IMDb rating of 7.5 out of 10 – just slightly less on Rotten Tomatoes at 7.1 – the movie found a fan following upon its release on DVD and Blu-ray, assisted by its inclusion on several ‘best films of the year’ lists.Īccording to Ridley Scott, millennials are to blame for his medieval drama The Last Duel’s dismal performance at the box office. RELATED: ‘The Lost City’ Directors on Working with Brad Pitt and What They Learned Making Their First Bigger Budget MovieĬonsidered by many to have some of the best cinematography of the 21st century (courtesy of the incomparable Roger Deakins), The Dispatch’s Matthew Lucas gave The Assassination of Jesse James four stars out of four, claiming that it was “ n essential American Western that deserves to be ranked among the greats”, Jordan Raup ( The Film Stage) raved that it was a “ neo-western masterpiece.” On the strength of its leads, Brad Pitt and Casey Affleck writer-director Andrew Dominik’s Western, The Assassination of Jesse James by the Coward Robert Ford was revered by critics despite only recouping half of its $30 million budget - $3.9 million in the US, just over $11 million worldwide – when it was released in cinemas.
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Some of the movies that bombed at the box office are still worthy of your attention. The take-home message is not to judge a movie based on its box office performance alone. The upside is that with the advent of streaming services, movies that failed to find an audience upon their theatrical release are given new life when added to Netflix, Amazon Prime or another service. Even great talents like Steven Spielberg, Ridley Scott, Guillermo del Toro and Denis Villeneuve have had box office disappointments. RELATED: ‘Fantastic Beasts: The Secrets of Dumbledore’ Debuts to Franchise-LowĮarning less in ticket sales than it cost to make a film doesn’t (necessarily) diminish a film’s quality. Sometimes movies lose money because of the internal and external forces at play – poor marketing, a badly-timed release date or flagging interest – and not because the film itself is bad. But the phrase “box office flop” doesn’t always equal a bad movie. The path to Hollywood is littered with movies so bad they’ve tanked studios, ended careers, and seen millions of dollars go up in smoke.